Dangerous Music 2-Bus LT question

Congrats on your D2B!!! I love mine! I have the stereo outs of my D2B going to a hardware L2 running at 96K, and then AES out of the L2 into a Masterlink.

48 k session Individual & stems out to D2B Compress with SSL or Cranesong STC-8 into Cranesong Hedd - sample rate 96k 24bit To Masterlink 96k 24bit - for Archive, & pro mastering -------------- For 'junior' or self mastering, Masterlink 96k 24 bit into TC Finalizer Hardware SRC in Finalizer to 44.1k 24bit Into PT for mastering with Sony GML EQ plug in Sony Inflator Weiss Pow-r dither Out to Masterlink for Red Book compilation Master CD made in Masterlink. I find the 96k helps to make the final master more 'stunning' . higher highs, lower lows. All good gearslut fun! Probably a total waste of time!

Thanks for all your replies. I just had my 192 i/o's d/a's calibrated and will try some mixing tomorrow. I noticed that most of you prefer doing the a/d from the 2-Bus into your Masterlinks at 96khz. I'm still a 44.1 guy and question the logic of doing synth dumps and such at a higher sample rate, but do you find that the final a/d from the 2-Bus makes a big difference(especially after being dithered down to a 44.1khz CD)? Also, do you find that you need to dedicate the final pair of 2-Bus inputs to reverb returns?